Browse Exhibits (12 total)

This exhibit explores how archives shape the way women's labor becomes visible, celebrated, overlooked, or erased. Rather than treating archives as neutral containers, it exposes how descriptive choices such as captions, tables, slogans, and metadata guide what counts as meaningful labor and what does not. Drawing on scholarly conversations about memory, archival power, and the limits of representation, this exhibit shows how institutions cultivate certain narratives while obfuscating others. By placing various forms of labor in conversation through their modes of description, the exhibit invites viewers to think about how women's work enters the historical record and why those choices continue to influence what today's labor will mean in the future.

Welcome to Black Female Filmmakers of the L.A. Rebellion: an interactive exhibit that explores Black female cinematic auteurship during the revolutionary L.A. Rebellion at UCLA. 

The L.A. Rebellion is a film movement that spanned across the 1960s to the 1980s in which Black film students at UCLA began formulating a Black filmic aesthetic that opposed the conventions of classical Hollywood cinema. The movement is marked by its highly radical nature, drawing from Third Cinema in its overt politicization whilst also experimenting with forms of expressing Black life. This exhibit focuses on the key Black female filmmakers involved in the L.A. Rebellion including Julie Dash, Jacqueline Frazier, Melvonna Bellenger, Alile Sharon Larkin, and Barbara McCullough—particularly interpreting and analyzing one short film from their respective bodies of work and situating them as entries into a versatile, radical tradition of Black filmic archival practice.