2 10 90 https://archive.engl.sites.carleton.edu/files/original/a3fe72dfe133a31f1e4122081a182ffe.jpg 7b5a8a61dc6683f63123b078c3e4beb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eng 19th Century Mental Illness Description An account of the resource Sources for ENGL 256 final Creator An entity primarily responsible for making the resource Kate Eng Date A point or period of time associated with an event in the lifecycle of the resource Late 19th century Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "To My Dear Friend" Creator An entity primarily responsible for making the resource Anna L. Moss Publisher An entity responsible for making the resource available Missouri Historical Society Date A point or period of time associated with an event in the lifecycle of the resource June 20th, 1899 Rights Information about rights held in and over the resource No Copyright -- United States Relation A related resource <a href="https://mohistory.org/collections/item/D03603">https://mohistory.org/collections/item/D03603</a> Description An account of the resource Moss' letter to Chopin reveals some of the ways in which Chopin's writing was important to the community of women. Her praise of Chopin's writing goes beyond the fictional and enlightens the ways in which Chopin's resistence affected other women who might not have had the same ability to pubically speak up. Contributor An entity responsible for making contributions to the resource Kate Eng 1890s Anna L Moss female author female community female writers Kate Chopin Letter https://archive.engl.sites.carleton.edu/files/original/1fea40b5491e393e57f2d3347309007c.jpg ac8e14c8b229d1d5bc3d0ad35d4fd94a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Information about rights held in and over the resource Copyright © 2025 Ronald Feldman Gallery Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Brushstrokes #6" by Hannah Wilke Subject The topic of the resource Visual Art, Hannah Wilke, Lymphoma Description An account of the resource Art piece titled "Brushstrokes #6" by Hannah Wilke, included in her 1992 exhibit Intra-Venus. Wilke's hair is arranged on a sheet of paper to resemble brushstrokes. Creator An entity primarily responsible for making the resource Wilke, Hannah Date A point or period of time associated with an event in the lifecycle of the resource January 19, 1992 Rights Information about rights held in and over the resource Copyright © 2025 Ronald Feldman Gallery Relation A related resource <a href="https://feldmangallery.com/exhibition/164-intra-venus-wilke-1-8-2-19-1994" target="_blank" rel="noreferrer noopener">https://feldmangallery.com/exhibition/164-intra-venus-wilke-1-8-2-19-1994</a> Publisher An entity responsible for making the resource available Ronald Feldman Gallery 1990s 20th Century Cancer Drawings Hannah Wilke Human Body Human Hair Lymphoma Visual Art https://archive.engl.sites.carleton.edu/files/original/3a90795f2fbfdac678a93698e610080d.jpg 305445ea3585a57f4bb0232b7232b6b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoon How Archives Shape Perceptions of Women's Labor Creator An entity primarily responsible for making the resource Jonah Yoon Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photomechanical print (poster); halftone, color Physical Dimensions The actual physical size of the original image Dimensions not specified Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The more women at work the sooner we win! Women are needed also as [...] See your local U.S. Employment Service. Subject The topic of the resource Industrial labor Propaganda poster Gender and labor Archival framing Representation and bias Institutional power Class and labor 1940s World War II period United States Home front worksites Federal Office of War Information Description An account of the resource The 1943 Office of War Information poster features a woman in a bright red uniform working on what appears to be an aircraft canopy. Her calm and focused expression suggests confidence and skill. The bold title declares, "The more WOMEN at work the sooner we WIN!" Below, a list of occupations (such as farm worker, typist, bus driver, laundress, and others) encourages women to join many sectors of the wartime economy. The poster presents women's labor, whether in factories or service roles, as a patriotic act essential to victory. Interpretation Note This poster is a clear example of how state institutions actively shaped public memory of women's wartime roles by promoting certain stories about women's wartime labor while leaving out others. As Kenneth Foote argued, collective memory is built through selective emphasis, since societies often highlight specific events or meanings and downplay the aspects that do not fit the message they want to project. In this case, the Office of War Information presents women's work as a unified patriotic effort that is essential to national victory. The poster's clear slogan and orderly list of occupations support a motivating narrative. What falls outside that frame, such as the exhaustion, unequal pay, racial segregation, childcare struggles, or the abrupt layoffs women faced after the war, simply does not appear. Foote reminds us that this kind of selective emphasis is common in the formation of cultural memory, where representations produced by institutions determine which versions of the past circulate widely and which are allowed to fade. In choosing to emphasize patriotism, duty, and contribution over the difficulties and inequalities that shaped women's actual working lives, the poster helped define how an entire era would later be remembered. Creator An entity primarily responsible for making the resource Palmer, Alfred T., photographer United States. Office of War Information. Bureau of Public Inquiries Publisher An entity responsible for making the resource available Library of Congress Prints and Photographs Division Date A point or period of time associated with an event in the lifecycle of the resource 1943 Rights Information about rights held in and over the resource No known restrictions on publication. Rights information available at <a href="https://www.loc.gov/rr/print/res/071_fsab.html">https://www.loc.gov/rr/print/res/071_fsab.html</a> Relation A related resource OWI Poster No. 52 Based on photograph by Alfred T. Palmer (LC-DIG-pmnsca-12895) Library of Congress item record: <a href="https://www.loc.gov/pictures/item/95504675/">https://www.loc.gov/pictures/item/95504675/</a> Format The file format, physical medium, or dimensions of the resource Photomechanical print, halftone, color; poster Language A language of the resource English Identifier An unambiguous reference to the resource within a given context POS – WWII – US .F34.J71 1943 (B size) [P&P] LC-DIG-pmnsca-12895 (digital file from original print) LC-USZC4-5600 (color transparency) LC-USZ62-112283 (b&w film copy) LC-USZCN4-203 (color film copy) Date Created Date of creation of the resource. 1943 Medium The material or physical carrier of the resource. Halftone photomechanical print; poster Source A related resource from which the described resource is derived U.S. Government Printing Office; Farm Security Administration–Office of War Information Photograph Collection, Library of Congress Contributor An entity responsible for making contributions to the resource U.S. Government Printing Office (printer) Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. OWI Poster No. 52: “The more women at work the sooner we win!” Extent The size or duration of the resource. 1 photomechanical print (poster), color Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Library of Congress, Prints and Photographs Division, “The more women at work the sooner we win! Women are needed also as […] See your local U.S. Employment Service,” POS – WWII – US .F34.J71 1943. Spatial Coverage Spatial characteristics of the resource. United States Temporal Coverage Temporal characteristics of the resource. 1943 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Part of the U.S. Office of War Information and Library of Congress wartime poster holdings. 1940s Archival framing Class and labor Federal Office of War Information Gender and labor Home front worksites industrial labor Institutional power propaganda poster Representation and bias United States World War II period https://archive.engl.sites.carleton.edu/files/original/7a59767b5f282b1782fd55ffed34a1c2.jpeg 2e1ec506ee8e8648f03992410c1b3ea1 https://archive.engl.sites.carleton.edu/files/original/3cde7baee37fe6271f4f05bf2c4bc7fc.jpeg 05be983200944de63bbf746017af72ef https://archive.engl.sites.carleton.edu/files/original/fe68cca8d1beba9089e6036e35de44b1.jpeg a54609337a664876a666c77b9dc2c88a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gullickson - My Dad's Letters Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource March 1998 Letter Description An account of the resource This is a letter written by my dad to his family in 1998 while he was living in Kazakhstan. In this letter, he writes about the movies his family sent, how he got a piano, and using it as a source of entertainment while the power was out in his apartment. Creator An entity primarily responsible for making the resource Joel Gullickson Publisher An entity responsible for making the resource available Aselya Gullickson Date A point or period of time associated with an event in the lifecycle of the resource March 3, 1998 Format The file format, physical medium, or dimensions of the resource digital scan of pen on lined paper https://archive.engl.sites.carleton.edu/files/original/8671b44871702eb5c3f0a93c1f3ebdee.png 0d8fcf3538bdde8a8878c59e0792993e https://archive.engl.sites.carleton.edu/files/original/a5cfc38400aade53763a265764c3e6d3.png 9764e4e0fddfbb74ee9110c28966839a https://archive.engl.sites.carleton.edu/files/original/1643c0af369a08d92f9e2e49ee8f9de6.png f4223511f35e1e376ee9748c27ffd5e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contact Quarterly: The College Issue cover Description An account of the resource The cover of Contact Quarterly Spring/Summer 83 vol. VIII no. 3/4. This issue focused on Contact Improvisation in college, and featured student and instructor perspectives on what it meant to practice CI in a college setting. Creator An entity primarily responsible for making the resource Rachel Boughton (cover photos and design) Publisher An entity responsible for making the resource available Contact Quarterly Source A related resource from which the described resource is derived Full issue available at <a href="https://bridge.primo.exlibrisgroup.com/permalink/01BRC_INST/1tn7c8c/alma991000057579702971">St. Olaf Rolvaag Library</a> Date Created Date of creation of the resource. 1983 Contact Improvisation Contact Quarterly Dance Print Media https://archive.engl.sites.carleton.edu/files/original/ca2168303736c37711ff52f58302288c.jpg 8ad93bed27e3d613dc9694a846b89a69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 2024:06:20 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me</a> Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document I Carry a Wor{l}d Inside Me By Felicia Zamora Where wor{l}d & the tangible object of that wor{l}d collide. My brain thinks traces & again, Singh’s words at the back of my throat, The unconscious is the most evasive archive of all, yet is pulsing right there inside you. How the brain talks through & within epithelial barriers. Porous borders. How the brain chatters. Yet in the world of synapses, even the brain may not know-know. Language an archive. Flesh an archive. A felt presence. When what you feel supersedes the imaging. The mammogram cleared. & so. & so. What we keep hungry in the dark. What keeps. How much depends on a cell. Cell. I carry a wor{l}d inside me. What wraps tightly amongst the organs. Cells that do not mature, forgo the process of differentiation to reproduce, reproduce, reproduce. A silent stalking. I carry a wor{l}d inside me. A wor{l}d unimpressed with naming, with its own name. & this name; this name. I speak this wor{l}d so often, my tongue tastes of dandelion sap. Let me say tissues. Four types of tissues reside in the human body: connective, epithelial, muscle, & nervous. Connective tissues bind & support by holding together blood, bone & lymphatic tissues. How the epithelial covers—the skin & the linings of various passages become noticeable, heightened. Tender {e}motions, veins, muscles of me. To deconstruct. Inside the wor{l}d lives other wor{l}ds. Clever brain, always making games. To deconstruct tissues: tis-tis, uses, us, sits, is, sues, issues. Ah, there, issues. Issues. Issues. Deeper still: revolt, sickening, gorge-gorge, invasive. Deeper still: relinquish, nipple-tugged-down, ten-centimeter incision, harvest, ghost of a breast, neuropathy, echoing empty lymph nodes space, carcinoma. Deeper still, until gutturals, until no archive left to h{a}unt. Image of an ultrasound Notes: This poem contains a quote from Julietta Singh’s “The Ghost Archive,” from No Archive Will Restore You (punctum books, 2018). Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Poem. Original formatting can be seen on <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me" target="_blank" rel="noreferrer noopener">the Poetry Foundation website</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "I Carry a Wor{l}d Inside Me" by Felicia Zamora Subject The topic of the resource Poetry, Felicia Zamora, Breast Cancer Description An account of the resource Poem by Felicia Zamora that addresses topics of the body and its systems, language, and the archive. Includes an image of a mammogram as part of the poem. Creator An entity primarily responsible for making the resource Zamora, Felicia Source A related resource from which the described resource is derived <a href="https://www.poetryfoundation.org/poetrymagazine/issue/162772/july-august-2024" target="_blank" rel="noreferrer noopener">Poetry (July/August 2024)</a> Publisher An entity responsible for making the resource available Poetry Foundation Date A point or period of time associated with an event in the lifecycle of the resource July 2024 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me#tab-author" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me#tab-author</a> 2010s 21st Century Archives Breast Cancer Cancer Felicia Zamora Human Body Human Brain Language Literature Mammograms Poetry Women Poets https://archive.engl.sites.carleton.edu/files/original/46898935089aa9da6ff676b6980e4af3.jpg 1f1f365026560bafcd1aa05775365f06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Image of Sarah M. Sala Description An account of the resource Photograph attatched to the "Author" section of "Migraine as Whale: A Triptych" on the Poetry Foundation website. Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-author" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-author</a> Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Migraine as Whale: A Triptych By Sarah M. Sala I Your wusband and some locals charter a whale-watching tour in the North Pacific Ocean. The surf is huge— rough weather moving in tomorrow. The boat carves celadon waves into midnight navy depths. All day you scan the horizon for humpback whales until the captain cuts the engine. Surface tension gives way to a whale’s bumpy tubercles, her tuxedo shirt throat grooves, you’re met with her distrustful orbiting eye. Something shifts in you. After the catamaran pitches back to harbor, the other parties disembark. But the horizon continues to lurch like the unsteady hull of a ship. Except now, it’s the walls of the apartment. The kitchen stove, the pendant lights, even the blankets insist on this heaving motion. Everywhere you sight land, the ocean’s undulation echoes. As best you can, you surrender to the waves. I am a boat, you say. I am a wave. I am a whale. I am a whale’s iris. But you awaken to brain coral for a skull. Ocean tackle lacerates your bottom lip. Trawling nets sink your quads. Wherever you go, your pant legs pour sand. You’ve already missed so much work, you drift to the subway. Today you’re slated to present your research to the department chair. When you confess your new body to a colleague at the elevator bank, she says, but you don’t look sick. II Your wusband and some locals charter a whale watching tour in the North Pacific Ocean. The surf is huge— rough weather moving in tomorrow. The boat carves celadon waves into midnight navy depths. All day you scan the horizon for humpback whales until the captain cuts the engine. Surface tension gives way to a whale’s bumpy tubercles, her tuxedo shirt throat grooves, you’re met with her distrustful orbiting eye. Something shifts in you. After the catamaran pitches back to harbor, the other parties disembark. But the horizon continues to lurch like the unsteady hull of a ship. Except now, it’s the walls of the apartment. The kitchen stove, the pendant lights, even the blankets insist on this heaving motion. Everywhere you sight land, the ocean’s undulation echoes. As best you can, you surrender to the waves. I am a boat, you say. I am a wave. I am a whale. I am a whale’s iris. But you awaken to brain coral for a skull. Ocean tackle lacerates your bottom lip. Trawling nets sink your quads. Wherever you go, your pant legs pour sand. You’ve already missed so much work, you drift to the subway. Today you’re slated to present your research to the department chair. When you confess your new body to a colleague at the elevator bank, she says, but you don’t look sick. III a whale . huge— moving . celadon waves into midnight . . , her throat grooves, . . , other parties . . , . , , . Everywhere you sight , . , . , . . . . , . . . Wherever you go, . You miss , . . When you confess your new body , , you don’t look sick. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Poem. Original formatting can be seen on <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related" target="_blank" rel="noreferrer noopener">the Poetry Foundation website</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Migraine as Whale: A Triptych" by Sarah M. Sala Subject The topic of the resource Poetry, Sarah M. Sala, Migraines Description An account of the resource Poem by Sarah M. Sala which addresses invisible illness, physical pain, and coming to terms with being ill. The first section of the triptych comprises nine stanzas which are then repeated and altered in the second and third sections. Creator An entity primarily responsible for making the resource Sala, Sarah M. Source A related resource from which the described resource is derived <a href="https://www.poetryfoundation.org/poetrymagazine/issue/161687/january-february-2024" target="_blank" rel="noreferrer noopener">Poetry (January/February 2024)</a> Publisher An entity responsible for making the resource available Poetry Foundation Date A point or period of time associated with an event in the lifecycle of the resource January 2024 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related</a> 2020s 21st Century Chronic Illness Invisible Illness Literature Migraines Poetry Sarah M. Sala Women Poets https://archive.engl.sites.carleton.edu/files/original/9aac0e0519e3b6f0c424e956d2e7d2a4.jpg 2351b8e33216138225f9f8f4dc4bc8df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jam poster 1 Description An account of the resource A poster for a November 2024 student-led contact improv jam (open dance) at Carleton College Creator An entity primarily responsible for making the resource Eila Planinc Date A point or period of time associated with an event in the lifecycle of the resource November 2024 Date Created Date of creation of the resource. 2024 Carleton College Contact Improvisation Dance Jams Posters https://archive.engl.sites.carleton.edu/files/original/175c7775b8dfa07b13651565da784fab.jpg 11b89b58462a9eb2e8c2e9589ce09b65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jam poster 2 Description An account of the resource A poster advertising a contact improv jam (open dance) at Carleton College in February 2025 Creator An entity primarily responsible for making the resource Eila Planinc Date A point or period of time associated with an event in the lifecycle of the resource February 2025 Date Created Date of creation of the resource. 2025 Carleton College Contact Improvisation Dance Jams Posters https://archive.engl.sites.carleton.edu/files/original/dcfa9a3d1d84d05d11af865987cf887e.jpg 729fa55c727395b6e884860bfbf03fc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jam poster 3 Description An account of the resource A poster advertising a contact improv jam (open dance) at Carleton College in November 2025 Creator An entity primarily responsible for making the resource Eila Planinc Date Created Date of creation of the resource. 2025 Date A point or period of time associated with an event in the lifecycle of the resource November 2025 Carleton College Contact Improvisation Dance Jams Posters