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                <text>A newspaper article in the Carletonian, published on January 26th, 2018, written by Lizzy Ehren, on the funding Little Nourse Theater had received for its future renovation. </text>
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                <text>This is the Carletonian, the student newspaper of Carleton College, from January 26th, 2018. On the front page, on the lower right-hand side, and continuing to the bottom of the third page, there is an article discussing funding Carleton had received from the school and recent alumni funding for the theater's renovation. Lizzy Ehren wrote the article, and she highlights several structural issues with the theater, including a lack of accessibility and safety concerns. The article also touches upon the fondness for the space from active Experimental Theater Board, or ETB, members Kate Faber &lt;span&gt;’18&lt;/span&gt; and &lt;span&gt;Emma Buechner ’18.&lt;/span&gt;</text>
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                <text>Lizzie Coy-Bjork</text>
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                <text>Carletonian Article on the First Performance at Little Nourse Theater. </text>
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                <text>A newspaper article in the Carletonian, written on December 3rd, 1932, on the first play performed at the newly built Little Nourse Theater, called Tobias and the Angel. </text>
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                <text>This is the Carletonian, the student newspaper of Carleton, from December 3rd, 1932. On the front page, on the right-hand side, there is an article discussing the formal dedication of Nourse Theater with its first performance in the space. The first play performed in Little Nourse Theater was Tobias and the Angel. The article notes that "The Nourse theater, while not structurally perfect, is a triumphant forward step."  Foreseeing future issues with a not structurally sound theater. </text>
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                <text>1932, Carleton College, Northfield, Minnesota</text>
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                    <text>This is a news release on the student-led renovation of Little Nourse in 1957, from the Carleton News Bureau, written by &lt;span&gt;Jane &lt;/span&gt;&lt;span&gt;Koelges, the News Director at the time. &lt;/span&gt;</text>
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              <text>Full text available for viewing on the &lt;a href="https://archive.org/details/dli.ernet.239173/page/179/mode/2up"&gt;Internet Archive&lt;/a&gt; in a variety of forms. "Pale Horse, Pale Rider," in this publication, is on pages 179-264.</text>
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                <text>This item is a newspaper article by Michael Kilian commenting on Marlon Brando’s refusal of the Oscar. The piece criticizes Littlefeather for “exploiting herself” by the roles she has taken and mocks Brando for succumbing to "self righteous self importance," in addition to calling out the alleged hypocrisy of the Indigenous activists occupying Wounded Knee, SD. Overall, the article does not appear to take Littlefeather, Brando, or the American Indian Movement seriously, nor does it view Hollywood as an appropriate venue for political action.</text>
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                <text>This item is a collection of letters to the editor published in the Los Angeles Times reacting to Brando’s refusal of the Oscar and Littlefeather’s statement. The letters are authored by Robert S. Birchard, Thomas L. Gillette, Mrs. John E. Grauman, and Suzanne Lego. The statements written by Birchard and Grauman express distaste for Brando's unwillingness to give his statement in person, instead sending "a woman to do a man's job," as well as his use of the Oscars as a political platform. On the other side of the debate, Gillette compares the audience's "puny response" to the "greatness" of Brando, and Lego calls out the "small-mindedness and bigotry in America" displayed by presenters Raquel Welch and Clint Eastwood in their responses to Brando and Littlefeather.</text>
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                <text>This item is a newspaper article by William F. Buckley published in the &lt;em&gt;Minneapolis Tribune&lt;/em&gt; which provides an overview of Brando’s refusal of the Oscar, his activism at Wounded Knee, and Hollywood’s representation of Indigenous Americans. The tone is unserious and mocking, and the author appears disdainful of Brando in particular, writing that he has decided to become "Mr. Jane Fonda" and concluding that "the poor Indians" should be "spared the patronage of Marlon Brando."</text>
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