1 10 90 https://archive.engl.sites.carleton.edu/files/original/a210e4b16ef43f5be153a425fda9fcf8.jpg 8ca6aac3068b94ba07f149caeb6d088c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoon How Archives Shape Perceptions of Women's Labor Creator An entity primarily responsible for making the resource Jonah Yoon Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Physical Dimensions The actual physical size of the original image Dimensions not specified Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Whistle blows noon Opelika Cotton Mill. Smallest girl in photograph is Velma Smith a tiny little spinner with a steady job all day. I found her at home crying bitterly because her father refused to let her have any money out of the pay envelope she brought home. Mother said: "That hain't no way to encourage children to work." Mother, father and several children work. Her mother admitted she worked here before 12 years old, and at Ella White Mill and one other city for about a year. Says they have no family record, but claims Velma is 12 now (which is doubtful). I saw her several times going and coming at 5:45 A.M. and noon. Location: Opelika, Alabama. Subject The topic of the resource Industrial labor Photograph Gender and labor Class and labor Archival framing Representation and bias Institutional power Archival silence Early 20th Century Progressive era Opelika, Alabama United States, South Cotton mill towns Description An account of the resource This 1914 photograph by Lewis Hine shows workers leaving the Opelika Cotton Mill in Alabama at the noon whistle. Among them is Velma Smith, identified by Hine as "a tiny little spinner with a steady job all day." The image shows Velma running toward the camera while adult workers move past her. Hine's caption provides extensive detail. Velma's father refused to let her keep any of her own wages. Velma's mother had worked in mills before age 12, and multiple members of the family were employed at the mill. The caption also notes that Velma was seen starting work before dawn and suggests that her claimed age of 12 was likely falsified. Interpretation Note This photograph presents industrial labor as a family economy structured by dependency and necessity. At first glance, the scene appears almost ordinary, with workers leaving for a break and a child running. However, Hine's caption turns it into clear evidence of generational exploitation. His narrative draws attention to the economic pressures that bound entire families, even very young children (likely under 12), to mill work. Details in the caption about withheld wages, uncertain ages, and shifts that began before dawn show how mills and families together shaped a child's working life. Terry Cook suggests that archives grow out of the social pressures and assumptions of their time, shaping what gets saved and how people make sense of it. With that in mind, Hine's photograph feels like a product of its own system that turns the ordinary routines of mill work into proof of the social and economic conditions he wanted to expose. The photograph also hints at how child labor was viewed then, since Velma's job is shown as normal work rather than as a loss of childhood or schooling. Altogether, it shows how records created within a certain worldview can end up supporting the accepted ideas about labor in early 20th-century industrial settings. Creator An entity primarily responsible for making the resource Hine, Lewis Wickes, 1874–1940 Source A related resource from which the described resource is derived National Child Labor Committee Collection, Library of Congress, Prints and Photographs Division Publisher An entity responsible for making the resource available Library of Congress Prints and Photographs Division Date A point or period of time associated with an event in the lifecycle of the resource 1914-10 Contributor An entity responsible for making contributions to the resource National Child Labor Committee Rights Information about rights held in and over the resource No known restrictions. For information, see “National Child Labor Committee (Lewis Hine photographs)” <a href="https://hdl.loc.gov/loc.pnp/res.097.hine">https://hdl.loc.gov/loc.pnp/res.097.hine</a> Relation A related resource LC-DIG-nclc-02928 (color digital file from b&w original print) LC-USZ6-1305 (b&w film copy negative) LC-USZ62-77132 (b&w film copy negative) Library of Congress item record: <a href="https://www.loc.gov/pictures/item/2018677734/">https://www.loc.gov/pictures/item/2018677734/</a> Format The file format, physical medium, or dimensions of the resource Photographic print Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context LC-H5-3821 LOT 7479, v. 6, no. 3821 [P&P] Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Opelika, Alabama, United States Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Whistle blows noon at Opelika Cotton Mill, showing Velma Smith, the smallest girl in the photograph, 1914 Extent The size or duration of the resource. 1 photographic print Medium The material or physical carrier of the resource. Photographic print Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Library of Congress, Prints and Photographs Division, National Child Labor Committee Collection, LC-H5-3821. Spatial Coverage Spatial characteristics of the resource. Opelika, Alabama, United States Temporal Coverage Temporal characteristics of the resource. 1914 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Part of the National Child Labor Committee Collection. Archival framing Archival silence Class and labor Cotton mill towns Early 20th century Gender and labor industrial labor Institutional power Photograph Progressive era Representation and bias South United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Renaissance and Philosophy (Sample Collection) Description An account of the resource A collection is a way to organize and filter your items. It does not necessarily have a specific order to it. An item can only be in one collection while it can appear in a number of exhibits. This collection is about Renaissance and Philosophy. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What are the Seven Liberal Arts? (Sample text-only Item) Description An account of the resource You can add items in Omeka. Items act as individual units. You can add multiple fields for any given item. These include description, creator, date, article type and more. Further support can be received at: <a href="https://omeka.org/classic/docs/">https://omeka.org/classic/docs/</a> The Seven Liberal Arts are classical arts that were considered necessary for any student in the classical and medieval periods. These arts were divided into two parts; quadrivium and trivium. Quadrivium included arithmetic, geometry, astronomy, and music. Trivium included logic, rhetoric, and grammar. https://archive.engl.sites.carleton.edu/files/original/2368aceab5ff5b98b102d274cd35ae4c.jpg 1e4a16b6d97e3d7f425db1015932e011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoon How Archives Shape Perceptions of Women's Labor Creator An entity primarily responsible for making the resource Jonah Yoon Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Nitrate film negative Physical Dimensions The actual physical size of the original image 2.25 by 2.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Photograph of Women Factory Workers Attending Sunday Mass After Overnight Shift, Buffalo, New York Subject The topic of the resource Industrial labor Photograph Gender and labor Class and labor Archival framing Representation and bias Archival silence 1940s World War II period Buffalo, New York United States, Northeast Defense industry worksites Description An account of the resource This 1943 photograph by Marjory Collins shows women factory workers attending morning mass in Buffalo, New York, immediately after completing the overnight third shift. They sit and stand in the dim interior of a church, their coats are still on, and their scarves are tied tightly around their heads. These suggest exhaustion and the cold of early morning. This photograph shows a moment of transition between industrial labor and religious service, making clear how wartime work schedules shaped daily life for women employed in defense industries. Interpretation Note Collins' photograph offers a counter-narrative to the polished images of wartime labor circulated by the Office of War Information. Instead of depicting heroic productivity, this photograph shows fatigue, ordinariness, and the effort to maintain community and spiritual continuity amid punishing hours. The women's quiet postures echo Kate Eichhorn's point that some of the most revealing traces of women's history appear in the ordinary moments and materials that official narratives tend to ignore. In that sense, the photograph functions much like the feminist archives Eichhorn describes, because it shifts attention to lives usually kept at the margins and shows that even everyday acts can speak volumes about the pressures women faced. Ultimately, Collins' photograph reminds us that women's work in defense plants was a patriotic duty, but it was also a grueling cycle that reshaped home life, religious practice, and whatever small pockets of rest remained. Creator An entity primarily responsible for making the resource Collins, Marjory Source A related resource from which the described resource is derived Farm Security Administration and Office of War Information Black and White Negatives Collection, Library of Congress Publisher An entity responsible for making the resource available Library of Congress Prints and Photographs Division Date A point or period of time associated with an event in the lifecycle of the resource 1943-04 Contributor An entity responsible for making contributions to the resource United States. Office of War Information. Overseas Picture Division. Washington Division (transfer, 1944) Rights Information about rights held in and over the resource <div>No known restrictions. For information, see the U.S. Farm Security Administration and Office of War Information Black and White Photographs resource page at <a href="http://www.loc.gov/rr/print/res/071_fsab.html">http://www.loc.gov/rr/print/res/071_fsab.html</a></div> Relation A related resource Related to negative LC-USW3-023404-E. <a href="https://www.loc.gov/pictures/item/2017850960/">https://www.loc.gov/pictures/item/2017850960/</a> Library of Congress item record: <a href="https://www.loc.gov/pictures/collection/fsa/item/2017850956/">https://www.loc.gov/pictures/collection/fsa/item/2017850956/</a> Format The file format, physical medium, or dimensions of the resource Nitrate film negative, 2.25 by 2.25 inches Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context LC-USW3-023400-E Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Untitled photo of women factory workers attending mass after overnight shift, Buffalo, New York Extent The size or duration of the resource. 2.25 by 2.25 inches Medium The material or physical carrier of the resource. Nitrate film negative Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Library of Congress, Prints and Photographs Division, Farm Security Administration and Office of War Information, LC-USW3-023400-E. Spatial Coverage Spatial characteristics of the resource. Buffalo, New York, United States Temporal Coverage Temporal characteristics of the resource. 1943 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Transferred to the Library of Congress by the United States Office of War Information, Overseas Picture Division, 1944. 1940s Archival framing Archival silence Buffalo Class and labor Defense industry worksites Gender and labor industrial labor New York Northeast Photograph Representation and bias United States World War II period https://archive.engl.sites.carleton.edu/files/original/6fbdcca8dedcbc3bd48d1d296fae0d7a.pdf 52d70af265ee24552ae657070d1590de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Notebook paper, 4 pages Physical Dimensions The actual physical size of the original image 10.5 in x 8 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Underscore Notes Description An account of the resource Notes taken on the transmission of the Underscore, a loose schedule of a Contact Improvisation gathering ("jam") originally formulated by Nancy Stark-Smith. The Underscore features symbols for different stages of a jam and events that might happen within a dance. Creator An entity primarily responsible for making the resource Sadie Levitan Relation A related resource You can find more information about the Underscore at <a href="https://nancystarksmith.com/underscore/">https://nancystarksmith.com/underscore/</a> Date Created Date of creation of the resource. October 27, 2025 Carleton College Contact Improvisation Dance https://archive.engl.sites.carleton.edu/files/original/fbb2623ab3910cbe398a9b215ed6e996.png a5690557cff7e4a84f823b30673365fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Levitan | Contact Improv and Liberal Arts College Contributor An entity responsible for making contributions to the resource Sadie Levitan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Topics in Movement Studies in Dance course description Description An account of the resource This course has been offered since 2016/2017 at St. Olaf, and is the only remaining course related to contact improvisation there. Source A related resource from which the described resource is derived <a href="https://catalog.stolaf.edu/archive/2016-2017/academic-programs/dance/#coursestext">2016/17 St. Olaf Course Catalogue</a> https://archive.engl.sites.carleton.edu/files/original/94c588088185ea99cb88b2637e46b69b.jpg 84a64019c5736b616b859670af0ed9ee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theater Marathon Day - Little Nourse 1970 Subject The topic of the resource A photograph of a student in the Little Nourse Mirror during a Theater Marathon. Description An account of the resource This is a photograph of a Carleton student wearing only their underwear in the Little Nourse Theater dressing rooms. This photograph was taken in 1970 during a Theater Marathon. Source A related resource from which the described resource is derived https://archive.carleton.edu/Detail/collections/221334 Publisher An entity responsible for making the resource available Carleton Archives Date A point or period of time associated with an event in the lifecycle of the resource 1970 Contributor An entity responsible for making contributions to the resource Lizzie Coy-Bjork Creator An entity primarily responsible for making the resource Unknown photographer Rights Information about rights held in and over the resource Carleton College maintains these collections for teaching, learning, and research purposes only. Format The file format, physical medium, or dimensions of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Carleton College, Northfield, Minnesota Arts Carleton College Little Nourse Theater Theater https://archive.engl.sites.carleton.edu/files/original/c48ee7d5ed183a1c5b607ebb5b3379b4.pdf b1328a125aed62a111da60bb3191b49b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shearer | Indigeneity and the Oscars Subject The topic of the resource Film; Indigenous Americans; Academy of Motion Picture Arts and Sciences; Sacheen Littlefeather; Marlon Brando; 1973 Oscars; Indigenous History; Apache History Description An account of the resource A collection of items related to Marlon Brando's 1973 refusal of the Academy Award for Best Actor and the depiction of Indigenous Americans in Hollywood. Creator An entity primarily responsible for making the resource Joella Shearer Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Speech Marlon Brando Didn't Give on Oscar Night Description An account of the resource A Los Angeles Times article containing the text of the speech Marlon Brando provided Sacheen Littlefeather to be read upon his refusal of the Academy Award. The speech was not read during the ceremony due to time limitations, but Littlefeather read it to the press after the ceremony and its contents was published in several major newspapers. In the statement, Brando writes that while he does not wish to insult the Academy or its members, he would like to "focus attention" on the mistreatment of Indigenous Americans by the United States and their negative representation by Hollywood. While there have been attempts to redress the situation, Brando states that they are "too faltering and too few so I as a member in this profession do not feel that I can as a citizen of the United States accept an award here tonight." He concludes the statement by thanking the audience for their "kindness and courtesy" to Littlefeather, assuming that she would be well-receieved at the Oscars ceremony. Creator An entity primarily responsible for making the resource Marlon Brando Source A related resource from which the described resource is derived Los Angeles Times Publisher An entity responsible for making the resource available ProQuest Historical Newspapers Date A point or period of time associated with an event in the lifecycle of the resource March 30, 1973 Contributor An entity responsible for making contributions to the resource Joella Shearer 1973 Oscars Apache History Indigenous History Los Angeles Times Marlon Brando Newspaper Occupation at Wounded Knee Sacheen Littlefeather https://archive.engl.sites.carleton.edu/files/original/554b187c7a13a31f94e12864a32ecb28.jpg 571cdb698c8e883678d21f0f14aa50fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Renaissance and Philosophy (Sample Collection) Description An account of the resource A collection is a way to organize and filter your items. It does not necessarily have a specific order to it. An item can only be in one collection while it can appear in a number of exhibits. This collection is about Renaissance and Philosophy. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The School of Athens Description An account of the resource This is an item featuring The School of Athens. The picture can be accessed at <a href="https://commons.wikimedia.org/wiki/File:%22The_School_of_Athens%22_by_Raffaello_Sanzio_da_Urbino.jpg" target="_blank" rel="noreferrer noopener">Wikimedia Commons</a> Attribution: "<a href="https://commons.wikimedia.org/wiki/File:%22The_School_of_Athens%22_by_Raffaello_Sanzio_da_Urbino.jpg">'The School of Athens' by Raffaello Sanzio da Urbino.jpg</a>" by <a href="https://commons.wikimedia.org/wiki/User:Paul_012">Paul_012</a> is licensed under <a href="https://creativecommons.org/licenses/by-sa/3.0/" target="_blank" rel="noreferrer noopener">Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)</a>. https://archive.engl.sites.carleton.edu/files/original/74788d352d9d2fe0cb6ce16d94d4a11f.pdf f7dde7c1eeb08b2f79b7d34caf98e509 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shearer | Indigeneity and the Oscars Subject The topic of the resource Film; Indigenous Americans; Academy of Motion Picture Arts and Sciences; Sacheen Littlefeather; Marlon Brando; 1973 Oscars; Indigenous History; Apache History Description An account of the resource A collection of items related to Marlon Brando's 1973 refusal of the Academy Award for Best Actor and the depiction of Indigenous Americans in Hollywood. Creator An entity primarily responsible for making the resource Joella Shearer Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Oscar, Indians, and politics Description An account of the resource This item is a newspaper article by Michael Kilian commenting on Marlon Brando’s refusal of the Oscar. The piece criticizes Littlefeather for “exploiting herself” by the roles she has taken and mocks Brando for succumbing to "self righteous self importance," in addition to calling out the alleged hypocrisy of the Indigenous activists occupying Wounded Knee, SD. Overall, the article does not appear to take Littlefeather, Brando, or the American Indian Movement seriously, nor does it view Hollywood as an appropriate venue for political action. Creator An entity primarily responsible for making the resource Michael Kilian Source A related resource from which the described resource is derived Chicago Tribune Publisher An entity responsible for making the resource available ProQuest Historical Newspapers Date A point or period of time associated with an event in the lifecycle of the resource April 1, 1973 Contributor An entity responsible for making contributions to the resource Joella Shearer 1973 Oscars Apache History Chicago Tribune Indigenous History Jane Fonda Marlon Brando Newspaper Occupation at Wounded Knee Sacheen Littlefeather https://archive.engl.sites.carleton.edu/files/original/3a90795f2fbfdac678a93698e610080d.jpg 305445ea3585a57f4bb0232b7232b6b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoon How Archives Shape Perceptions of Women's Labor Creator An entity primarily responsible for making the resource Jonah Yoon Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photomechanical print (poster); halftone, color Physical Dimensions The actual physical size of the original image Dimensions not specified Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The more women at work the sooner we win! Women are needed also as [...] See your local U.S. Employment Service. Subject The topic of the resource Industrial labor Propaganda poster Gender and labor Archival framing Representation and bias Institutional power Class and labor 1940s World War II period United States Home front worksites Federal Office of War Information Description An account of the resource The 1943 Office of War Information poster features a woman in a bright red uniform working on what appears to be an aircraft canopy. Her calm and focused expression suggests confidence and skill. The bold title declares, "The more WOMEN at work the sooner we WIN!" Below, a list of occupations (such as farm worker, typist, bus driver, laundress, and others) encourages women to join many sectors of the wartime economy. The poster presents women's labor, whether in factories or service roles, as a patriotic act essential to victory. Interpretation Note This poster is a clear example of how state institutions actively shaped public memory of women's wartime roles by promoting certain stories about women's wartime labor while leaving out others. As Kenneth Foote argued, collective memory is built through selective emphasis, since societies often highlight specific events or meanings and downplay the aspects that do not fit the message they want to project. In this case, the Office of War Information presents women's work as a unified patriotic effort that is essential to national victory. The poster's clear slogan and orderly list of occupations support a motivating narrative. What falls outside that frame, such as the exhaustion, unequal pay, racial segregation, childcare struggles, or the abrupt layoffs women faced after the war, simply does not appear. Foote reminds us that this kind of selective emphasis is common in the formation of cultural memory, where representations produced by institutions determine which versions of the past circulate widely and which are allowed to fade. In choosing to emphasize patriotism, duty, and contribution over the difficulties and inequalities that shaped women's actual working lives, the poster helped define how an entire era would later be remembered. Creator An entity primarily responsible for making the resource Palmer, Alfred T., photographer United States. Office of War Information. Bureau of Public Inquiries Publisher An entity responsible for making the resource available Library of Congress Prints and Photographs Division Date A point or period of time associated with an event in the lifecycle of the resource 1943 Rights Information about rights held in and over the resource No known restrictions on publication. Rights information available at <a href="https://www.loc.gov/rr/print/res/071_fsab.html">https://www.loc.gov/rr/print/res/071_fsab.html</a> Relation A related resource OWI Poster No. 52 Based on photograph by Alfred T. Palmer (LC-DIG-pmnsca-12895) Library of Congress item record: <a href="https://www.loc.gov/pictures/item/95504675/">https://www.loc.gov/pictures/item/95504675/</a> Format The file format, physical medium, or dimensions of the resource Photomechanical print, halftone, color; poster Language A language of the resource English Identifier An unambiguous reference to the resource within a given context POS – WWII – US .F34.J71 1943 (B size) [P&P] LC-DIG-pmnsca-12895 (digital file from original print) LC-USZC4-5600 (color transparency) LC-USZ62-112283 (b&w film copy) LC-USZCN4-203 (color film copy) Date Created Date of creation of the resource. 1943 Medium The material or physical carrier of the resource. Halftone photomechanical print; poster Source A related resource from which the described resource is derived U.S. Government Printing Office; Farm Security Administration–Office of War Information Photograph Collection, Library of Congress Contributor An entity responsible for making contributions to the resource U.S. Government Printing Office (printer) Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. OWI Poster No. 52: “The more women at work the sooner we win!” Extent The size or duration of the resource. 1 photomechanical print (poster), color Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Library of Congress, Prints and Photographs Division, “The more women at work the sooner we win! Women are needed also as […] See your local U.S. Employment Service,” POS – WWII – US .F34.J71 1943. Spatial Coverage Spatial characteristics of the resource. United States Temporal Coverage Temporal characteristics of the resource. 1943 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Part of the U.S. Office of War Information and Library of Congress wartime poster holdings. 1940s Archival framing Class and labor Federal Office of War Information Gender and labor Home front worksites industrial labor Institutional power propaganda poster Representation and bias United States World War II period