1 10 90 https://archive.engl.sites.carleton.edu/files/original/c36aa97475787d1f6cba5cdfa0181566.jpg 99103ec63273fbe1b7415bba8a51fe04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eng 19th Century Mental Illness Description An account of the resource Sources for ENGL 256 final Creator An entity primarily responsible for making the resource Kate Eng Date A point or period of time associated with an event in the lifecycle of the resource Late 19th century Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "A Document to Madness" Creator An entity primarily responsible for making the resource Kate Chopin Publisher An entity responsible for making the resource available Missouri Historical Society Date A point or period of time associated with an event in the lifecycle of the resource 1898 Rights Information about rights held in and over the resource No Copyright -- United States Relation A related resource <a href="https://mohistory.org/collections/item/D00232?page=2&view=book">https://mohistory.org/collections/item/D00232?page=2&view=book</a> Description An account of the resource Chopin, another celebrated female writer from the late 19th century, writes in an unpublished poem about the "ecstacy of madness." She takes something used to oppress women, in this case: madness, and celebrates the freedom of it. Although this is not a well-known work, Chopin frequently used her status as a writer to speak about the oppression of women. This particular poem calls attention to the ways in which Chopin was celebrated for her acts of resistence to the dominant culture. 1890s female voices Kate Chopin Poetry unpublished works women writers https://archive.engl.sites.carleton.edu/files/original/301a3d9a8d08db083cb8d29fa0585188.gif 788909d1761441a35ddfc130380660f5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Alumnae Comments on Coeducation for Smith", Smith Alumnae Quarterly, 1969 Subject The topic of the resource This page of the Smith College Alumnae Quarterly focuses on alumnae views on a potential future of coeducation at the women's college. Description An account of the resource This source is a page printed in the April, 1969 edition of the Smith Alumnae Quarterly. The section is titled "Alumnae Comments on Coeducation for Smith" and includes quotes from alumnae regarding their stances on Smith as a potentially coeducational school in the future. The quotes are taken from answers to a questionnaire that was sent to 1,500 alumnae by the College Planning Committee. Source A related resource from which the described resource is derived Smith Alumnae Quarterly, April, 1969 Date A point or period of time associated with an event in the lifecycle of the resource 1969 Contributor An entity responsible for making contributions to the resource Caroline Cooper Format The file format, physical medium, or dimensions of the resource Print media Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 20th Century, 1960s 1960s 20th Century Alumnae Alumnae Opinion Co-ed Dorms Co-ed Movement Coed Movement Coeducation College Life College Women Students Women's College Women's Education https://archive.engl.sites.carleton.edu/files/original/93c28b34c3f5f605d8f42ded2f083f4f.jpeg 4c1a0d1a6ea3b48428e3f524b832f9b7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "An Awkward Balance of Love and Privacy," LIFE Magazine: Co-Ed Dorms, 1970 Subject The topic of the resource A LIFE magazine article about co-ed dorms at Oberlin College. Description An account of the resource This is a section of a LIFE magazine article titled "An intimate revolution in campus life", it focuses on the issues of campus relationships in co-ed dorms, specifically at Oberlin College. It also includes photographs of Oberlin students in relationships spending time together in campus spaces and dorms. Creator An entity primarily responsible for making the resource LIFE magazine, author unknown Publisher An entity responsible for making the resource available Time Inc. Date A point or period of time associated with an event in the lifecycle of the resource November 20, 1970 Contributor An entity responsible for making contributions to the resource Caroline Cooper Relation A related resource https://books.google.com/books?id=2FMEAAAAMBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Format The file format, physical medium, or dimensions of the resource Print media Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 20th century Abstract A summary of the resource. This page is part of an article titled "An intimate revolution in campus life" that ran in the November 20th, 1970 edition of LIFE magazine. 1970s Co-ed Dorms Co-ed Movement College Life College Relationships College Women Journalism Magazine Romance Sexuality Students https://archive.engl.sites.carleton.edu/files/original/1fea40b5491e393e57f2d3347309007c.jpg ac8e14c8b229d1d5bc3d0ad35d4fd94a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Information about rights held in and over the resource Copyright © 2025 Ronald Feldman Gallery Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Brushstrokes #6" by Hannah Wilke Subject The topic of the resource Visual Art, Hannah Wilke, Lymphoma Description An account of the resource Art piece titled "Brushstrokes #6" by Hannah Wilke, included in her 1992 exhibit Intra-Venus. Wilke's hair is arranged on a sheet of paper to resemble brushstrokes. Creator An entity primarily responsible for making the resource Wilke, Hannah Date A point or period of time associated with an event in the lifecycle of the resource January 19, 1992 Rights Information about rights held in and over the resource Copyright © 2025 Ronald Feldman Gallery Relation A related resource <a href="https://feldmangallery.com/exhibition/164-intra-venus-wilke-1-8-2-19-1994" target="_blank" rel="noreferrer noopener">https://feldmangallery.com/exhibition/164-intra-venus-wilke-1-8-2-19-1994</a> Publisher An entity responsible for making the resource available Ronald Feldman Gallery 1990s 20th Century Cancer Drawings Hannah Wilke Human Body Human Hair Lymphoma Visual Art https://archive.engl.sites.carleton.edu/files/original/97cf62f71d0ecbe10d9e7f1e69a4f66f.jpg 9c96d750f409c04c2992ef5681a48c49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoon How Archives Shape Perceptions of Women's Labor Creator An entity primarily responsible for making the resource Jonah Yoon Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Albumen print on stereograph mount Physical Dimensions The actual physical size of the original image 10 × 18 cm (4 × 7 in.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Domestic" and Grover & Baker sewing machines, and "Domestic" Fashion Rooms, 1111 Chestnut St., Phila. [graphic] / Photo. by R. Newell & Son, 626 Arch St. Subject The topic of the resource Domestic labor Commerical photography Gender and labor Class and labor Archival framing Representation and bias Institutional power Archival silence Late 19th century Industrial expansion era Philadelphia, Pennsylvania United States, Northeast Chestnut Street commercial district Description An account of the resource This 1879 stereograph by R. Newell & Son depicts the interior of Francis M. Johnson's sewing-machine showroom at 111 Chestnut Street in Philadelphia. Rows of Domestic and Grover & Baker sewing machines fill the space, surrounded by mannequins in finished dresses and children's clothes. Thread displays, patriotic bunting, and small signs reading "Please do not handle" all signal that this is a curated commercial stage rather than a site of actual labor. The showroom sells sewing machines as modern household technologies and emblems of national progress. Interpretation Note This stereograph does something sly, which is taking the back-breaking, poorly paid labor of sewing and turning it into something almost magical to look at. Every garment is draped perfectly, every machine is polished to a shine, and the patriotic bunting overhead is turning the room into a shrine of progress. The whole scene is arranged for middle-class shoppers to admire, not for anyone to imagine actually sitting down and working. Classification does heavy ideological work here. By ordering the space this way, the photograph sells a marketable story about women's work while leaving out the long hours, dim rooms, aching fingers, and low wages most seamstresses lived with. The mannequins drive the point home. They wear the finished dresses, but no tired, living woman is allowed in the picture. That absence is exactly the kind of archival silence where the lived conditions of working women are replaced by an illusion of effortless domestic modernity. In the end, commercial photography, like any genre, gets to choose whose labor counts as visible. Here, the machines and the pretty clothes stay on display, while the women who made them possible simply disappear. Creator An entity primarily responsible for making the resource R. Newell & Son Source A related resource from which the described resource is derived Library Company of Philadelphia, Print Department, Stereograph Collection Publisher An entity responsible for making the resource available Library Company of Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource circa 1879 Contributor An entity responsible for making contributions to the resource Francis M. Johnson (showroom owner) Rights Information about rights held in and over the resource All use must credit Library Company of Philadelphia. Additional information on <a href="https://librarycompany.org/using-the-library/rightsrepro/">Rights and Reproductions – The Library Company of Philadelphia.</a> Relation A related resource Advertising label on verso: F. M. Johnson, dealer in Domestic and Grover and Baker sewing machines and "Domestic" paper fashions, 1111 Chestnut Street, Philadelphia, Pennsylvania Digitization funded by the National Endowment for the Humanities (PW-506-19-10), 2010–2012 The Library Company of Philadelphia record: <a href="https://digital.librarycompany.org/islandora/object/digitool:101959?solr_nav%5Bid%5D=733411679267bbffa86a&&solr_nav%5Bpage%5D=0">https://digital.librarycompany.org/islandora/object/digitool:101959?solr_nav[id]=733411679267bbffa86a&&solr_nav[page]=0</a> Format The file format, physical medium, or dimensions of the resource Albumen print Stereograph 10 × 18 cm Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context P.9212.11 (Library Company of Philadelphia) digitool:101959 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia, Pennsylvania, United States Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Interior View of Sewing Machine Showroom, 1111 Chestnut Street, Philadelphia Extent The size or duration of the resource. 1 stereograph; albumen print; 10 × 18 cm Medium The material or physical carrier of the resource. Albumen print on stereograph mount Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Library Company of Philadelphia, Print Department, Stereograph Collection, P.9212.11. Spatial Coverage Spatial characteristics of the resource. Philadelphia, Pennsylvania, United States Temporal Coverage Temporal characteristics of the resource. circa 1879 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Part of the Library Company of Philadelphia stereograph holdings; photographer’s imprint printed on verso; advertising label for F. M. Johnson pasted on verso. Archival framing Archival silence Chestnut Street commercial district Class and labor Commerical photography domestic labor Gender and labor Industrial expansion era Institutional power Late 19th century Northeast Pennsylvania Philadelphia Representation and bias United States https://archive.engl.sites.carleton.edu/files/original/27acb0d38266199e9212a157ad5a6ce4.pdf 9ab806560e626d4bbcc050afe8aedd8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eng 19th Century Mental Illness Description An account of the resource Sources for ENGL 256 final Creator An entity primarily responsible for making the resource Kate Eng Date A point or period of time associated with an event in the lifecycle of the resource Late 19th century Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Fat and Blood" Description An account of the resource Mitchell pioneered the rest cure, a treatment that entailed the patient being bed-ridden in an effort to stop the exertion of energy. Many women, including author Charlotte Perkins Gilman, were ordered to lay in bed and could not rise to feed, bathe or even use the bathroom themselves. This form of treatment for female "neuralgia" or other forms of mental illness imprisoned women inside their homes with their husbands and doctor as their captors instead of the previously used asylums. Creator An entity primarily responsible for making the resource Silas Weir Mitchell Publisher An entity responsible for making the resource available <a href="https://archive.org/details/fatbloodneura00mitcuoft/page/52/mode/2up">Internet Archive</a> Date A point or period of time associated with an event in the lifecycle of the resource 1884 Contributor An entity responsible for making contributions to the resource Kate Eng Subject The topic of the resource "Fat and blood: an essay on the treatment of certain forms of neurasthenia and hysteria" by Silas Weir Mitchell 1800s 19th century medicine hysteria medical text medical treatment neuralgia rest cure Silas Weir Mitchell https://archive.engl.sites.carleton.edu/files/original/17bbb2dd82d77b22863b732e00f1063f.pdf c36c4def9383be905f5da34dcf443f37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eng 19th Century Mental Illness Description An account of the resource Sources for ENGL 256 final Creator An entity primarily responsible for making the resource Kate Eng Date A point or period of time associated with an event in the lifecycle of the resource Late 19th century Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Hospitals for Insane" Description An account of the resource Ruvtz-Rees writes about her experience in the insane asylum in the 19th century. Although she speaks positively about her time in the aslyum, she calls for more home treatments, as she believes "mental disease is infectious." This idea, along with the development of treatments such as the rest cure, begins to make the home a place of imprisonment rather than an outside institution. It is then the family, not the asylum workers and nurses, that imprison the female body. Creator An entity primarily responsible for making the resource Janet E. Ruvtz-Rees Publisher An entity responsible for making the resource available <a href="https://oaks.kent.edu/insane-asylum-memoirs/hospitals-insane-viewed-standpoint-personal-experience-recovered-patient">Kent State University Archives</a> Contributor An entity responsible for making contributions to the resource Kate Eng Date A point or period of time associated with an event in the lifecycle of the resource 1842-1890 1800s asylums home treatment for insanity Janet E. Ruvtz-Rees Letter personal experience with asylums https://archive.engl.sites.carleton.edu/files/original/ca2168303736c37711ff52f58302288c.jpg 8ad93bed27e3d613dc9694a846b89a69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 2024:06:20 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me</a> Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document I Carry a Wor{l}d Inside Me By Felicia Zamora Where wor{l}d & the tangible object of that wor{l}d collide. My brain thinks traces & again, Singh’s words at the back of my throat, The unconscious is the most evasive archive of all, yet is pulsing right there inside you. How the brain talks through & within epithelial barriers. Porous borders. How the brain chatters. Yet in the world of synapses, even the brain may not know-know. Language an archive. Flesh an archive. A felt presence. When what you feel supersedes the imaging. The mammogram cleared. & so. & so. What we keep hungry in the dark. What keeps. How much depends on a cell. Cell. I carry a wor{l}d inside me. What wraps tightly amongst the organs. Cells that do not mature, forgo the process of differentiation to reproduce, reproduce, reproduce. A silent stalking. I carry a wor{l}d inside me. A wor{l}d unimpressed with naming, with its own name. & this name; this name. I speak this wor{l}d so often, my tongue tastes of dandelion sap. Let me say tissues. Four types of tissues reside in the human body: connective, epithelial, muscle, & nervous. Connective tissues bind & support by holding together blood, bone & lymphatic tissues. How the epithelial covers—the skin & the linings of various passages become noticeable, heightened. Tender {e}motions, veins, muscles of me. To deconstruct. Inside the wor{l}d lives other wor{l}ds. Clever brain, always making games. To deconstruct tissues: tis-tis, uses, us, sits, is, sues, issues. Ah, there, issues. Issues. Issues. Deeper still: revolt, sickening, gorge-gorge, invasive. Deeper still: relinquish, nipple-tugged-down, ten-centimeter incision, harvest, ghost of a breast, neuropathy, echoing empty lymph nodes space, carcinoma. Deeper still, until gutturals, until no archive left to h{a}unt. Image of an ultrasound Notes: This poem contains a quote from Julietta Singh’s “The Ghost Archive,” from No Archive Will Restore You (punctum books, 2018). Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Poem. Original formatting can be seen on <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me" target="_blank" rel="noreferrer noopener">the Poetry Foundation website</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "I Carry a Wor{l}d Inside Me" by Felicia Zamora Subject The topic of the resource Poetry, Felicia Zamora, Breast Cancer Description An account of the resource Poem by Felicia Zamora that addresses topics of the body and its systems, language, and the archive. Includes an image of a mammogram as part of the poem. Creator An entity primarily responsible for making the resource Zamora, Felicia Source A related resource from which the described resource is derived <a href="https://www.poetryfoundation.org/poetrymagazine/issue/162772/july-august-2024" target="_blank" rel="noreferrer noopener">Poetry (July/August 2024)</a> Publisher An entity responsible for making the resource available Poetry Foundation Date A point or period of time associated with an event in the lifecycle of the resource July 2024 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me#tab-author" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/162842/i-carry-a-world-inside-me#tab-author</a> 2010s 21st Century Archives Breast Cancer Cancer Felicia Zamora Human Body Human Brain Language Literature Mammograms Poetry Women Poets https://archive.engl.sites.carleton.edu/files/original/d032a3d3c7d9db020a895c34d846c666.jpg d30ba21d583e6795eeed5c0a5f648835 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (Toward Exiting #6)" Date A point or period of time associated with an event in the lifecycle of the resource 2003 Relation A related resource <a href="http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/" target="_blank" rel="noreferrer noopener">http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/</a> Creator An entity primarily responsible for making the resource Holst, Mamie Description An account of the resource Acrylic on canvas, 22 x 22 inches https://archive.engl.sites.carleton.edu/files/original/6bf700b06daf2f935d8f1c24b7b017f0.jpg 70e38a7f8c823f8af80b352127a38cce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (Possibility #4)" Date A point or period of time associated with an event in the lifecycle of the resource 2008 Relation A related resource <a href="https://www.wnewhouseawards.com/mamieholst.html" target="_blank" rel="noreferrer noopener">https://www.wnewhouseawards.com/mamieholst.html</a> Creator An entity primarily responsible for making the resource Holst, Mamie Description An account of the resource Acrylic on canvas, 71 x 71 inches https://archive.engl.sites.carleton.edu/files/original/b362202b777981b9a27acc85792bab8a.jpg 2c8539cd1f78bc62cf94e7103a05daf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (New York Destruct/Construct)" Creator An entity primarily responsible for making the resource Holst, Mamie Date A point or period of time associated with an event in the lifecycle of the resource 2000 Relation A related resource <a href="http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/" target="_blank" rel="noreferrer noopener">http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/</a> Description An account of the resource Acrylic on canvas, 15 x 15 inches https://archive.engl.sites.carleton.edu/files/original/034c0597daae51fe2f6d33f6e3f1da10.jpg c0783027c97cfc665150f17ccc16e1d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (Fated #4)" Description An account of the resource Acrylic on canvas, 71 x 71 inches Creator An entity primarily responsible for making the resource Holst, Mamie Date A point or period of time associated with an event in the lifecycle of the resource 2008 Relation A related resource <a href="https://www.wnewhouseawards.com/mamieholst.html" target="_blank" rel="noreferrer noopener">https://www.wnewhouseawards.com/mamieholst.html</a> https://archive.engl.sites.carleton.edu/files/original/50724c15e8424517ac3b66f0d2ce515f.jpg d90a54c440fcb2179c911b1778672c2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (Ubiquitous)" Description An account of the resource Acrylic on canvas, 12 x 14 inches Creator An entity primarily responsible for making the resource Holst, Mamie Date A point or period of time associated with an event in the lifecycle of the resource 1998 Relation A related resource <a href="http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/" target="_blank" rel="noreferrer noopener">http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/</a> https://archive.engl.sites.carleton.edu/files/original/9d6094877def36c59543dbbf0997e005.jpg 4a6add5f8a68a654366238227321eeb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying (Pain #2)" Description An account of the resource Acrylic on canvas, 45 x 24 inches Creator An entity primarily responsible for making the resource Holst, Mamie Date A point or period of time associated with an event in the lifecycle of the resource 2005 Relation A related resource <a href="https://www.wnewhouseawards.com/mamieholst.html" target="_blank" rel="noreferrer noopener">https://www.wnewhouseawards.com/mamieholst.html</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting(s) Physical Dimensions The actual physical size of the original image Various sizes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Landscape Before Dying" Series by Mamie Holst Subject The topic of the resource Visual Art, Mamie Holst, Chronic Fatigue and Immune Dysfunction Syndrome (CFIDS) Description An account of the resource Series of paintings by Mamie Holst which began in 1997 and is potentially still ongoing. The paintings in this series are various shades of black, white, and gray, and they tend to incorporate circular designs alongside other striped geometric patterns. Holst's creation of the series is motivated by her experience living with Chronic Fatigue and Immune Dysfunction Syndrome (CFIDS). Creator An entity primarily responsible for making the resource Holst, Mamie Source A related resource from which the described resource is derived Bob Rauschenberg Gallery at FSW 2008 Exhibition Archives Wynn Newhouse Awards Date A point or period of time associated with an event in the lifecycle of the resource Began 1997 Rights Information about rights held in and over the resource Copyright 2005–2025 Florida SouthWestern State College. All rights reserved. Relation A related resource <a href="http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/" target="_blank" rel="noreferrer noopener">http://www.rauschenberggallery.com/2013/11/2008-exhibition-archives/</a>, <a href="https://www.wnewhouseawards.com/mamieholst.html" target="_blank" rel="noreferrer noopener">https://www.wnewhouseawards.com/mamieholst.html</a> 1990s 2000s 20th Century 21st Century CFIDS Chronic Fatigue and Immune Dysfunction Syndrome Chronic Illness Mamie Holst Visual Art https://archive.engl.sites.carleton.edu/files/original/46898935089aa9da6ff676b6980e4af3.jpg 1f1f365026560bafcd1aa05775365f06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Image of Sarah M. Sala Description An account of the resource Photograph attatched to the "Author" section of "Migraine as Whale: A Triptych" on the Poetry Foundation website. Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-author" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-author</a> Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Migraine as Whale: A Triptych By Sarah M. Sala I Your wusband and some locals charter a whale-watching tour in the North Pacific Ocean. The surf is huge— rough weather moving in tomorrow. The boat carves celadon waves into midnight navy depths. All day you scan the horizon for humpback whales until the captain cuts the engine. Surface tension gives way to a whale’s bumpy tubercles, her tuxedo shirt throat grooves, you’re met with her distrustful orbiting eye. Something shifts in you. After the catamaran pitches back to harbor, the other parties disembark. But the horizon continues to lurch like the unsteady hull of a ship. Except now, it’s the walls of the apartment. The kitchen stove, the pendant lights, even the blankets insist on this heaving motion. Everywhere you sight land, the ocean’s undulation echoes. As best you can, you surrender to the waves. I am a boat, you say. I am a wave. I am a whale. I am a whale’s iris. But you awaken to brain coral for a skull. Ocean tackle lacerates your bottom lip. Trawling nets sink your quads. Wherever you go, your pant legs pour sand. You’ve already missed so much work, you drift to the subway. Today you’re slated to present your research to the department chair. When you confess your new body to a colleague at the elevator bank, she says, but you don’t look sick. II Your wusband and some locals charter a whale watching tour in the North Pacific Ocean. The surf is huge— rough weather moving in tomorrow. The boat carves celadon waves into midnight navy depths. All day you scan the horizon for humpback whales until the captain cuts the engine. Surface tension gives way to a whale’s bumpy tubercles, her tuxedo shirt throat grooves, you’re met with her distrustful orbiting eye. Something shifts in you. After the catamaran pitches back to harbor, the other parties disembark. But the horizon continues to lurch like the unsteady hull of a ship. Except now, it’s the walls of the apartment. The kitchen stove, the pendant lights, even the blankets insist on this heaving motion. Everywhere you sight land, the ocean’s undulation echoes. As best you can, you surrender to the waves. I am a boat, you say. I am a wave. I am a whale. I am a whale’s iris. But you awaken to brain coral for a skull. Ocean tackle lacerates your bottom lip. Trawling nets sink your quads. Wherever you go, your pant legs pour sand. You’ve already missed so much work, you drift to the subway. Today you’re slated to present your research to the department chair. When you confess your new body to a colleague at the elevator bank, she says, but you don’t look sick. III a whale . huge— moving . celadon waves into midnight . . , her throat grooves, . . , other parties . . , . , , . Everywhere you sight , . , . , . . . . , . . . Wherever you go, . You miss , . . When you confess your new body , , you don’t look sick. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Poem. Original formatting can be seen on <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related" target="_blank" rel="noreferrer noopener">the Poetry Foundation website</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Migraine as Whale: A Triptych" by Sarah M. Sala Subject The topic of the resource Poetry, Sarah M. Sala, Migraines Description An account of the resource Poem by Sarah M. Sala which addresses invisible illness, physical pain, and coming to terms with being ill. The first section of the triptych comprises nine stanzas which are then repeated and altered in the second and third sections. Creator An entity primarily responsible for making the resource Sala, Sarah M. Source A related resource from which the described resource is derived <a href="https://www.poetryfoundation.org/poetrymagazine/issue/161687/january-february-2024" target="_blank" rel="noreferrer noopener">Poetry (January/February 2024)</a> Publisher An entity responsible for making the resource available Poetry Foundation Date A point or period of time associated with an event in the lifecycle of the resource January 2024 Rights Information about rights held in and over the resource © 2025 Poetry Foundation Relation A related resource <a href="https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related" target="_blank" rel="noreferrer noopener">https://www.poetryfoundation.org/poetrymagazine/poems/161722/migraine-as-whale-a-triptych#tab-related</a> 2020s 21st Century Chronic Illness Invisible Illness Literature Migraines Poetry Sarah M. Sala Women Poets